Guide

How to shoot a hyperlapse with the DJI Air 3S

UPDATED OCTOBER 2026

To shoot a hyperlapse on the DJI Air 3S, open DJI Fly, tap the Shooting Modes icon, choose Hyperlapse, pick a mode, set the interval, video length and max speed, then tap the shutter button. DJI recommends flying above 50 m and leaving at least two seconds between the shutter speed and the interval. Start with a 2 second interval and manual exposure.

Shoot an Air 3S hyperlapse
The Air 3S hyperlapse workflow in DJI Fly. The drone takes photos at a set interval and compiles them into a short video automatically.

Air 3S hyperlapse modes

The Air 3S uses DJI Fly's standard Hyperlapse modes:

Mode How it moves Use it for
Free You fly and aim manually Slow pushes, static timelapses
Circle Orbits a selected subject Landmarks, buildings
Course Lock Flies a fixed heading, optionally aimed at a subject Coastlines, roads, ridgelines
Waypoints Follows a saved path of points Repeatable moves, day-to-night sequences

If a mode is missing in your app, update DJI Fly and the aircraft firmware.

Best Air 3S hyperlapse settings

  • Interval: 2 s for clouds and traffic, 3 to 5 s for slower light changes such as sunsets.
  • Length: The app shows the number of photos and total time before you start. At 25 photos per second of video, a 10 second clip needs roughly 250 photos.
  • Exposure: Pro mode, fixed ISO and fixed white balance. Auto exposure causes flicker. For a sunset that gets darker, keep ISO fixed and correct brightness later from RAW frames.
  • Photo type: In Settings, Camera, Hyperlapse, choose whether to keep the original frames (JPEG or RAW) or not save them. Keep RAW if you plan to grade or deflicker.
  • Max speed: Low. Slow movement gives a smoother result.

Use the 70 mm camera

The Air 3S's medium tele compresses distance, so clouds racing past a mountain or traffic flowing toward a skyline look more dramatic. The 1-inch wide camera is better as light fades because it gathers more light than the f/2.8 tele.

Add motion blur with ND filters

Hyperlapse frames shot at very fast shutter speeds can look jittery. A slower shutter blurs moving cars and water in each frame. In full sun at ISO 100, the ND128 filter from the ND8/32/128 set brings the wide camera down to roughly 1/60 to 1/100 s, enough to soften fast traffic. For long light trails of half a second or more, shoot at dusk. Remember the two-second gap: a 1 s shutter needs at least a 3 s interval. More in Air 3S ND filters.

Day-to-night hyperlapse tips

  • Use Waypoints so the path stays the same while the light changes.
  • Plan and test the route in daylight. In poor light the vision system may not detect obstacles; pay attention to the vision status icons in DJI Fly. The Air 3S adds forward LiDAR for low-light sensing, but still fly with caution.
  • Keep enough battery for the full sequence plus return. The drone compiles a video from whatever it captured if the hyperlapse ends early.
  • Night flying has extra rules; see can you fly a drone at night.

Common problems

  • Shaky or warped result: wind pushed the drone between frames. Fly on calm days and higher up.
  • Flicker: auto exposure or auto white balance was on.
  • No video created: fewer than 25 photos were taken.

For more Air 3S settings, see best Air 3S settings, or shop the DJI Air 3S.

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